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Ready Player One (2018) Info

Release Date: 2018-03-28
Rating: G

Original title  : Ready Player One
Directed by  : Steven Spielberg
Written by  : Zak Penn, Ernest Cline
Starring  : Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe, T.J. Miller, Simon Pegg, Mark Rylance, Philip Zhao, Win Morisaki, Hannah John-Kamen, Ralph Ineson, Susan Lynch, Clare Higgins, Perdita Weeks, Cara Pifko, Vic Chao, Cara Theobold, Isaac Andrews, Joel MacCormack, Kit Connor, Leo Heller, Antonio Mattera, Ronke Adekoluejo, Lynne Wilmot, Letitia Wright, Kae Alexander, Michael Wildman, Lulu Wilson, Adolfo Álvarez, Alonso Alvarez, Jadah Marie, Mckenna Grace, Arianna Jaffier, Armani Jackson, Britain Dalton, Jacob Bertrand, Daniel Zolghadri, Julia Nickson, Kiera Bell, William Gross, Gareth Mason
Popularity  : 46.022189
Production company  : Amblin Entertainment, De Line Pictures, DreamWorks, Warner Bros. Pictures
Distributed by  : United States of America
Translations  : English, Español, Dansk, Français, Deutsch, Português, Український, Pусский, ελληνικά, Polski, Magyar, Italiano, български език, Türkçe, Srpski, עִבְרִית, 普通话, 한국어/조선말, Nederlands, Português, Český, svenska
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Ready Player One Full Movie Download: Why cant we go backward for once? wonders the protagonist of Ready Player One shortly before gunning his Back to the Future DeLorean in reverse. Really put the pedal to the metal.

Pressing rewind is, if anything, an understandable desire these days. But in todays reboot, remake-mad movies, its not exactly swimming against the tide. Yet Steven Spielbergs Ready Player One, a rollicking virtual-world geekfest flooded by 80s ephemera, doesnt just want to wade back into the past. It wants to race into it at full throttle. For those who get their fix through pop nostalgia, Ready Player One is — for better or worse — an indulgent, dizzying overdose.

In a dystopian 2045 where the world looks mostly like a trash heap, teenager Wade Watts (Tye Sheridan) lives in The Stacks — not aisles of books but towering piles of mobile homes — in Columbus, Ohio, with his aunt. These days, he narrates, realitys a bummer. With bleakness all around, seemingly everyone is addicted to strapping on a headset and entering the virtual-reality landscape of the OASIS. There, an individual can transform into a digital avatar — live-action or animated, human or extraterrestrial, Sonny or Cher — and do basically anything. Your imagination is your only limit. You can even, were told, climb Mt. Everest with Batman! Presumably the thin air would make him less grumpy.

Its been five years since the death of OASIS creator James Halliday (Mark Rylance), a fizzy-haired Steve Jobs-meets-Willy Wonka nerd deity who left behind a trio of Easter Eggs — hidden clues — in his game. The first one to find the keys and follow them to the end will win the rights to the trillion-dollar company. Wade, who goes by Parzival inside OASIS, is among the competitors still trying to crack the first challenge — a blistering melee through New York City streets where racers must evade, among other things, King Kong and the T-Rex from Jurassic Park.

At the films SXSW premiere, Spielberg introduced Ready Player One, based on Ernest Clines 2011 best-seller, as a movie, not a film. Spielberg, too, is here turning back the clock — just four months after releasing his well-timed ode to the freedom of the press, The Post — with a thrill-ride spectacle that harkens back to his pre-Schindlers List days and the more popcorn-friendly flights of movie magic that Spielberg conjured before focusing on more serious tales.

The funny, sometimes awkward irony of Ready Player One is that Spielberg isnt just making a movie like his old movies; hes making a movie awash with his old movies. Sounding almost embarrassed, Spielberg — who initially thought a younger director ought to direct Cline and Zak Penns script — has said he stripped out many of his own references from the screenplay.

But the universe of Ready Player One remains a loving, fanboy homage to the escapist entertainments Spielberg did more than anyone to create. Ready Player One could conceivably be titled Spielberg: The Remix. Watching it is a little like seeing him sit in with a Spielberg cover band — a band thats, like, totally stoked to have the master in their midst.

Its also an opportunity for one of cinemas most absurdly skilled and most insanely popular directors to reckon with both his blockbuster legacy and the more digitally versed generations of fantasy-seekers that have followed him. In the OASIS, there are solo players called gunters like Parzival and his VR-crush Art3mis (Olivia Cooke), who believe deeply in the game and its maker. And there are companies, specifically one called Innovative Online Industries led by a slick suit named Nolan Sorrento (Ben Mendelsohn), who sends armies of players into battle in hopes of capturing the lucrative company and — in the most sinister of anti-nerd plots — open up OASIS to advertising.

When its not careening through 80s references from Tootsie Roll Pop commercials to Buckaroo Banzai, Ready Player One is an Internet parable. Theres mention of prior bandwidth riots ahead of this battle over keeping OASIS an open playground to all. Ready Player One is both game and war, the stakes of which are occasionally lessened by the fact that its a land of make believe. Much of Ready Player One also promotes a tiresome gamer culture where real fanboys outrank haters, geeks vie with suits, and tech wizards are slavishly worshipped. In between the book and the movie, Gamergate exposed the toxicity of the video-game culture lionized here.

As eye-popping as is the kaleidoscopic OASIS — a shinier, bigger-budget, less funny pop-culture soup than the one stirred in The Lego Movie — Ready Player One is best when it keeps a foot in to the real world. Thats clearly where Spielbergs heart is, and its where, you can feel, he longs to lead his film. (Sorry, movie.)

Still, Spielberg shows that hes just as capable as he ever was in making a rip-roaring spectacle. The momentum is headlong, the visual fireworks are brilliant and despite all the reality-flipping, every scene is perfectly staged. For a backward-looking movie, its incredibly forward-moving. Spielberg makes this stuff look easier, and register more clearly, than anyone else in blockbuster-making.

But if choosing between vintage Spielberg and meta Spielberg, I still — not to sound too fanboy-ish about it — prefer the genuine article.

Ready Player One, a Warner Bros. release, is rated PG-13 by the Motion Picture Association of America for sequences of sci-fi action violence, bloody images, some suggestive material, partial nudity and language. Running time: 140 minutes. Three stars out of four.

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