A Wrinkle in Time (2018) Full Movie

A Wrinkle in Time (2018) Info

Release Date: 2018-03-08
Rating: G

Original title  : A Wrinkle in Time
Budget  : $103000000
Directed by  : Ava DuVernay
Written by  : Jennifer Lee, Jeff Stockwell
Starring  : André Holland, Bellamy Young, Chris Pine, Conrad Roberts, Daniel MacPherson, David Oyelowo, Deric McCabe, Gugu Mbatha-Raw, Levi Miller, Michael Peña, Mindy Kaling, Oprah Winfrey, Reese Witherspoon, Rowan Blanchard, Storm Reid, Will McCormack, Yvette Cason, Zach Galifianakis
Popularity  : 40.101129
Production company  : Whitaker Entertainment, Walt Disney Pictures
Distributed by  : United States of America
Translations  : Italiano, English, Français, Pусский, Magyar, Український, Português, Dansk, Türkçe, Polski, ελληνικά, Español, български език, עִבְרִית, 한국어/조선말, Slovenčina, suomi
Release Dates

A Wrinkle in Time Full Movie Download: On an overcast but humid afternoon in February 2017, on a stage set in Santa Clarita, California, about half an hour outside Los Angeles, Oprah Winfrey and Mindy Kaling are taking a break from making magic. Kaling, just about visible behind her exaggeratedly high collar, and Winfrey – as unrecognisable as Winfrey can be beneath glittery Cruella de Vil-like make-up and a towering hair piece – are playing two of the three witches in the upcoming Disney adaptation of the American children’s classic book, A Wrinkle in Time, written by Madeleine L’Engle, and now directed by Ava DuVernay.

“Most roles I get cast for do not surprise me, and this did,” says Kaling. “I loved the book as a kid, but I always pictured the witches as little old white ladies, right? So this feels almost subversive.” Or as Winfrey later puts it to me, in her unimprovably Oprah-ish way: “I mean, you read the book and you’re expecting Mrs Doubtfire, right? You are not expecting this,” she hoots, waggling her finger towards her impressive cleavage.

I am going to come clean here and say I am unprofessionally excited about this set visit. A Wrinkle in Time is little known in the UK, but in the US it is as much a part of the childhood canon as The Wind in the Willows is in Britain, and, like millions of American kids, I was raised on its sparklingly original mix of science, fantasy and spirited youthful feminism. Imagine the magic of Harry Potter mixed with the familial themes of Star Wars, the political undercurrrents of Nineteen Eighty-Four and the epic imaginative sweep of The Wizard of Oz, and you are getting there. At its simplest, it is the story of a little girl, Meg Murry, who, along with her younger brother, Charles Wallace, and friend, Calvin, are whisked away by a trio of witches, Mrs Who, Mrs Whatsit and Mrs Which, through space and time, to find her scientist father, who has been trapped by the Black Thing.

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“When Madeleine L’Engle wrote this [in 1963], she was so upset about the McCarthy hearings, where people were wanting someone to tell them what to think, with no tolerance of difference. Today, clearly, there’s a lot of darkness going on, so it’s a very timely story,” says Catherine Hand, the film’s producer and a friend of L’Engle’s.

Like Winfrey and Kaling, I grew up picturing the witches as three little white women, and the Murry family as white, too. But for the film, the witches are played by Winfrey, Kaling and Reese Witherspoon, and, for the Murrys, Gugu Mbatha-Raw plays the mother, Chris Pine plays the father, and mixed-race child actor Storm Reid takes the lead role of Meg.

A Wrinkle in Time review – Ava DuVernay’s fantasy is a glittery disappointment

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But, let’s be honest, I am mainly excited about Oprah. Ahhh, Oprah, the woman who could be (but won’t be) America’s next president. God, I love Oprah. Yes, I know she endorsed the likes of vaccine denialist Jenny McCarthy with a Goop-like enthusiasm. And yes, her preference for fuzzy platitudes over actual opinions is frustrating to those of us who know how smart she is. You don’t, after all, become one of the world’s biggest celebrities when you’re an African American woman born in abject poverty without being pretty wised up. (That she was briefly touted as a possible presidential candidate earlier this year could also be seen as a testament to her smarts, but given who is currently president perhaps not.) I have spent, at a restrained estimate, a bajillion hours of my life watching Oprah’s various daytime TV shows and reading her indefatigably cheerful magazine O, so I know how fun and sharp she can be. Surely – surely – that is the side of her I would see in person, as opposed to the infuriatingly self-protective person she too often presented in public appearances. Surely I would get the Gandhi-like wise saint the world saw at the Golden Globes earlier this year, which prompted the world to beg her to run for office.

When I arrive the set looks, at first glance, like a typical Hollywood set: actors are squirrelled away in large luxury trailers, like race horses in their paddocks, while hordes hover around buffet tables, each laden with more food than an entire branch of Waitrose. But a closer look reveals this is a set like none I have ever seen: the crew, like the cast, is noticeably diverse, and with a near-equal gender split. I ask DuVernay – who prefers the term “inclusive” to “diverse” – whether this required a conscious effort on her part or did it happen organically, and she hoots with laughter.

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